Piano/Keyboard Workshop

Age 15+5 daysBoston

Become fully immersed in piano, keyboard, and Hammond organ performance.

Banner: Piano/Keyboard Workshop

About the Program

Dive into an intensive, curriculum-based workshop designed to enhance your skills on piano, keyboard, and Hammond organ. You’ll build expertise in improvisation, performance, chord theory, ensemble playing, and synthesizer performance. The program includes hands-on performance workshops and ensemble sessions with live rhythms sections, where you’ll work towards mastery of style-specific techniques, rhythmic studies, and chart reading. Throughout the week, you’ll also explore electives like non-tonal improvisation, synthesizer performance, jazz comping and improvisation master classes, and Hammond organ techniques, giving you a comprehensive experience across styles such as jazz, hip-hop, rock, R&B, pop, funk, Afro-Latin, and fusion.

Dates
June 13–17Register by May 1
Check-in / Move-in
Coming soon
Tuition
$1,295 $1,095Save until Jan 31!
Registration fee
$50 (nonrefundable)

How to Enroll

This program has limited capacity. Submission of registration materials alone does not guarantee participation. You will secure your spot by paying in full.

  1. Step 1Submit your registration

    Begin by submitting your registration online. If applicable, you may need to submit additional supporting materials.

  2. Step 2Make your tuition payment

    All programs have limited capacity, so be sure to complete your full tuition payment to reserve your space in the program.

  3. Step 3Request housing

    If you will be age 15 or older by the start of your Boston-based program and require on-campus accommodations, complete the Residence Hall Agreement in the Next Steps tab of your registration portal.

  4. Step 4Complete your next steps

    Visit the Next Steps section of your program to view and complete any additional requirements. Review the checklist to make sure you are on track.

Curriculum

At the workshop, you will participate in several core classes throughout the week. 

  • Performance workshop: Learn style-specific chord voicings, rhythmic studies, technique, and chart reading, among other topics. 

  • Ensembles: This will be an instructor-guided forum for students to play with an ensemble. 

You will also attend additional electives throughout the week. The following list of previously offered electives will give you a sense of what to expect:

  • Contemporary Styles Workshop

  • Contemporary Keyboard History

  • Synthesizer Performance and Technology

  • Jazz Improvisation Master Class

  • Hammond Master Class

  • New Age Music Improvisation

Schedule

Check out a typical day in the program. Schedules are subject to change.

Each Day

  • 8 AM–8:50 AMBreakfast
  • 9 AM–10:50 AMElectives
  • 11 AM–12:50 PMElectives
  • 1 PM–1:50 PMLunch
  • 2 PM–3:50 PMPerformance Workshop or Ensemble
  • 5 PM–6:50 PMDinner
  • 7 PM–8:45 PMJam Sessions

Performance Opportunities

Students have the ability to participate in open jam sessions each evening. There will be multiple jam sessions happening simultaneously, focusing on different styles. 

The program will culminate with students performing the repertoire they have been rehearsing in their ensembles.

Performance Opportunities

Requirements

Program Directors

  • Dave Limina

    "Students in the Piano Department will experience a wide range of musical and cultural influences by our faculty from around the globe."

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  • John McGee

    John McGee

    "The Latin transliteration of the English word 'educate' is 'educare,' which means to draw out of. I believe that everything that a student needs to succeed is already inside of them, as an educator I become a curator of human and musical potential, helping the students to locate the excellence that is already within. I want every student who engages me as a chair or an instructor to know that in every meeting they have come closer to the realization of their limitless potential as a musician and scholar."

    "Several years ago, I devised 'gospejazzical' as the original term to describe my unique improvisatory style of piano performance. Gospejazzical is an improvisatory fusion of the gospel, jazz, and classical musical idioms that I've developed over my many years as a professional in the three individual fields that I've fused. At one point, I felt as if I had to choose one of these three genres that I was highly proficient in to have a focused career; however, each of these fields make me the musician that I am. As an instructor, I aim to lead pianists into the understanding of the power of interconnectedness in musical styles and approaches to learning. There is no need for compartmentalization, but the educational process ought always to be one of exploration that allows students to emerge in the fullness of their unique selves."

    "The Berklee Piano Department is the largest in the world for a reason. The exemplary caste of faculty that are skilled in nearly every known genre of pianism creates a magnetically energetic and diverse environment that allows students to discover and deepen their relationship with the piano, keyboard, and organ as instruments and their ever-evolving and emerging role in global music making."

    "Berklee is the preeminent institution for the study of contemporary music of the African diaspora. Consequently, I find no better place for students to discover their place in the world as a human being who makes music. Historically, music of the African diaspora has been connected to hope and healing. I believe that any musician who desires to use music as a resource to help, heal, and bring hope to the world should study at Berklee College of Music."

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Once You’ve Enrolled

The Berklee Summer Programs Team is excited that you’ve taken the first step! Now that you’re enrolled, here’s what you need to know to be prepared before check-in, and what to expect afterward.

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